Affichage de 42 résultats

Collection comprising of a chronological 35mm negative sequence which represents the full timespan for which Johns worked as staff photographer for The Guardian in London (1965-80), plus some more recent pictures taken in his retirement. There is also a smaller sequence of vintage subject prints printed by Johns.

Administrative/Biographical history: Born in Swansea, Peter Johns trained as an art teacher and illustrator at the city's art college. He started work in the 1950s as illustrator, and later photographer, for the South Wales Evening Post and Herald of Wales before a series on Welsh miners shot on a Rolleiflex camera caught the attention of both The Observer and The Guardian newspapers. He relocated to London as a full-time freelance photographer in 1961 and became a staff photographer for the Guardian in October 1965. He retired from the Guardian in 1981.

His body of work executed whilst working for The Guardian reveals a rich seam of photojournalism - an output which includes series on the Aberfan disaster, National Front marches and dock strikes, as well as various portraits including Anthony Quinn, Sam Wanamaker, Tennesse Williams, Anita Harris and a rare glimpse of Henri Cartier-Bresson. More recent series include documented scenes in Whistable, Hastings Old Town and Portugal, some of which, for the first time in Johns career, are shot in colour.

Notes, articles, cuttings and related papers of Richard Fry.

Papers relating to his work as the Guardian's financial editor, 1939-1965 concern Fry's first visit to USA in 1947 and the Manchester Guardian Survey of Industry, Trade and Finance, 1946-c1958 instigated by Fry in 1946.

Papers relating to his freelance work include articles for the Guardian, The Times, National Provident Bank Review and The Banker; speeches and lectures by Fry; and independent visits to USA in 1977 and 1979.

Administrative/Biographical history: Richard Fry (née Freund) was born in Berlin on 23 September 1900. He studied at Heidelberg and Berlin Universities where his economic professor, Walter Sowbart, encouraged him to take up journalism. Fry worked as a foreign political correspondent in Rome for a German publishing group, 1924-1925 before moving to London the following year, where he married Katherine Maritz two weeks before the Great Crash of 1929. On the day that Hitler came to power in 1933 Fry was dismissed by his German employers.

Fry was unemployed for much of the 1930s but in this time he wrote two highly prophetic books 'Zero Hour' and 'Watch Czechoslovakia' and formally took British nationality. 'Zero Hour' in particular was widely acclaimed and is thought to be a significant reason for Fry's inclusion on the 1940 Nazi blacklist.

Fry became financial editor of the Guardian in 1939, a temporary appointment intended to cover staff war service that was made permanent at the end of the second world war, and he stayed with the Guardian until his retirement in 1965. With the Guardian Fry visited the United States of America for the first time in 1947 and introduced the Manchester Guardian Annual Industrial Survey from 1946.

Fry was awarded the CBE in 1965 for services to journalism. He spent the first ten years of his retirement writing for The Banker and visiting world financial centres on a regular basis. He continued to write and give lectures up to his 90th year. Richard Fry died in 2002.
Creator: Fry, Richard Henry CBE (1900-2002); journalist

This collection holds portrait and photo-journalistic work produced by Sally Soames between 1959 and 2004. It also contains correspondence and other papers relating to her projects, publications and activities.

Administrative/Biographical history: Sally Soames was born in London and has lived there all her life. Her first assignments were for the Observer in 1963 and she then went on to freelance for the Guardian, the New York Times, The Observer and various TV and film companies in the UK and the US. She joined the staff of The Sunday Times in 1968 and remained there until she retired in June 2000. Her books include Manpower (1987) and Writers (1995).

Contains original artwork and copies of Posy Simmond's drawings for the Guardian, 1977-2004, including 'The Silent Three' comic strip which ran from 1977 to 1987. Also includes a number of drawings which appeared in the Observer and Harper's New York.

Administrative/Biographical history: Rosemary Elizabeth (Posy) Simmonds was born in Berkshire in 1945. She was educated at Queen Anne's School, Caversham and went on to study art at L'Ecole des Beaux Arts, Paris and Central School of Art and Design, London. From 1969 she worked for The Sun on a daily cartoon entitled 'Bear'. She first began work for the Guardian in 1972, initially producing illustrations for a range of articles. In 1977 she began her weekly comic strip 'The Silent Three' for the Guardian's Women's page which ran for 10 years. From 1987 Posy Simmonds concentrated on writing and illustrating children's books although she still contributed some illustrations to the paper, and returned in 1992 with a weekly comic strip featuring J D Crouch which ran for a year. In the late 1990s she drew the 'Gemma Bovery' series for the paper which was published as a graphic novel in 1999. From November 2002 to December 2004 she worked on the 'Literary Life' series which appeared in the Saturday Review section of the Guardian, and from September 2005 - December 2006 on 'Tamara Drewe'. In 2002 she was awarded an MBE for services to the newspaper industry.

The collection comprises original black and white ink and colour illustrations, one colour facsimile illustration and cuttings of works which appeared largely in the Guardian accompanying Comment and Analysis articles from 1992-2011.

Administrative/Biographical history: Peter Till, a British illustrator, began contributing to the Guardian c1994.

Born in Manchester in 1945, he read English Literature at Cambridge University. One of his drawings was bought by Oz magazine in 1969 and his work also appeared in Time Out, beginning his career in illustration. He has contributed illustrations to major publications both nationally and worldwide, including the Radio Times, the Times, the Sunday Times, the New York Times, the New Yorker, and to magazines in France, Holland, Germany, and Australia.

In 1991 the Royal Mail commissioned him to design postage stamps portraying eminent Englishmen such as Michael Faraday, the scientist. Till won a Victoria and Albert Museum runner up award for editorial illustration in 2005.

Cartoons and strips by Steve Bell that have appeared in the Guardian between 1982 and 2004

Administrative/Biographical history: Editorial cartoonist for the Guardian since 1990, Bell has also produced cartoons for Private Eye, New Statesman and many other popular publications. Graduated in Fine Art from Leeds University in 1974 and taught art before becoming a freelance cartoonist in 1997. Bell has also made short animations (with Bob Godfrey) for the BBC and Channel 4 Television. Recipient of various awards, including CAT Political Cartoonist of the Year (1995, 1997) and CAT Strip Cartoonist of the Year (1996 - 8).

The papers of Richard Scott include: a series of memoirs written by Richard Scott covering subjects such as Charles Prestwich Scott, Edward Taylor Scott, Richard Scott's work as a Guardian journalist and The Scott Trust; a series of photographs showing CP Scott and his staff, the Scott family at Christmas and CP Scott's funeral; a series of documents and correspondence relating to the management of the Guardian and The Scott Trust; a series of printed works including the Manchester Guardian centenary number, the centenary edition of the Guardian Weekly, Winston Churchill's book 'The World Crisis, 1911-1914' containing a letter of dedication to CP Scott, and the CP Scott memorial number; and portraits of Edward Taylor Scott and Laurence Prestwich Scott.

Administrative/Biographical history: Richard Scott, journalist and chairman of the Scott Trust, held a series of senior editorial posts on the Guardian newspaper.

The son of Edward Taylor Scott and grandson of Charles Prestwich Scott, both former editors of the Guardian newspaper. Educated at Gresham School, Norfolk and Christ’s College, Cambridge. After leaving school he began his career with the Legal Nations Union in London, writing brochures, pamphlets and memoranda for members. Following this he spent a year working for The Spectator before working for the British Council and the Foreign Office in the news department.

He first contributed to the Guardian in 1947. As diplomatic correspondent Richard Scott was involved in the Guardian’s reporting of the Suez crisis. He moved to America, as Washington correspondent, in 1963.

A member of the Scott Trust from 1948-1984 and chairman from 1956-1984. As a member of the Scott Trust he was involved in guiding the Guardian through a financial crisis and possible merger with The Times in the 1960s.

He was the last member of the Scott family to hold senior office in the paper.

Letters and other papers accumulated and retained by WP Crozier and his family covering his career including his editorship of the Manchester Guardian. The collection also contains material concerning his literary works and commitments outside the Guardian.
The first file of the collection contains biographical material and focuses on documents relating to the first world war and Crozier's exemption from military service due to poor health.
The second file of the collection contains documents concerning Crozier's early career at the Guardian. It begins with documents detailing his initial appointment to the Guardian in 1903 after a brief spell working for The Times. At the Guardian Crozier began work for the sub-editors where his diverse range of interests helped him excel. The file includes correspondence with CP Scott who praises Crozier's work for the Guardian. At the end of 1912 Crozier became news editor (a new title at the Guardian). He was also instrumental in ensuring the Guardian kept pace with the changing face of journalism - introducing the women's pages and increasing the use of photographs within the paper. Crozier's responsibility on the Guardian increased with the outbreak of war in 1914. By 1921 he was made director of the company. Crozier had a massive influence on the production of the paper - he was involved in everything from introducing the crossword to presenting criminal trials. The file contains WP Crozier's correspondence with A Ransome from the early 1920s concerning difficulties in gaining entry to Russia and reporting on events there. There is also a photograph of WP Crozier from the latter end of this period, 1931.
The collection is then divided into a series of files all relating to WP Crozier's editorship of the Guardian which began officially on the 6 May 1932 following the death of Ted Scott in a boating accident. The first file in this series contains documents relating to Crozier's appointment as editor. There is a file of Crozier's general correspondence with Guardian staff focusing on staff management and editorial duties. During his editorship Crozier further developed the reputation of the Guardian for reporting foreign events. This was increasingly important as conflicts in Europe were slowly building to the second world war. A file of correspondence with W Eames contains much comment about general world events and there is a file of correspondence with FA Voigt, the foreign and diplomatic correspondent, which discusses European affairs leading up to the outbreak of the second world war. There is a further file of correspondence with individuals external to the Guardian, many of which are either politicians or staff from other newspapers. Again comment can be found amongst these documents concerning the outbreak of war. Further files relating to Crozier's time as editor include photographs and prints of the period and the speeches he gave as a part of his editorial duties.
WP Crozier did not limit his writing to journalism and published two novels; the first, the 'Letters of Pontius Pilate' was published in 1928 and the second, 'The Fates are Laughing', was published posthumously in 1945. The collection contains a file of documents and correspondence relating to these novels and includes a review of his second novel written by George Orwell.
Crozier also had many commitments outside the Guardian and the collection contains a series of files relating to these. One file contains documents and correspondence relating to WP Crozier's connection with the University of Manchester. He was a member of the Council, the Post-War Developments Committee and Chairman of the Athletics Committee at the university. The second file in this series contains an example of Crozier's freelance journalism. There is also a file containing documents relating to Crozier's other interests, including: the Liberal Party Convention Committee; the Historical Association of Manchester and the Reform Club in Manchester.
Towards the end of his twelve years in the editor's chair, Crozier began to have persistent heart problems. He was advised to rest but did not. He wrote his last leading article on the 14th April 1944. The collection contains a series of files relating to Crozier's legacy. The first contains press cuttings from the Guardian and the Manchester Evening News. It includes leaders, tributes, messages of sympathy, and reports of the funeral. The second file is a large collection of correspondence to Mrs Crozier expressing sympathy at Crozier's death and the third file contains messages of condolence written to James Bone.

Administrative/Biographical history: Born in Stanhope, Durham in 1879 Crozier was educated at the Manchester Grammar School and subsequently won a scholarship to Trinity College, Oxford - commencing 1898.

After leaving university, Crozier worked as a teacher for a year, before a brief spell at the Times newspaper. At the end of September 1903 he began working for the Guardian. Crozier began work for the sub-editors where his diverse range of interests helped him excel. He was particularly praised for his work on the Russo-Japanese war. At the end of 1912 Crozier became news editor for the paper. He was also instrumental in ensuring the newspaper kept pace with the changing face of journalism - introducing the women's pages and increasing the use of photographs within the paper.

Crozier's responsibility on the Guardian increased with the outbreak of war in 1914. By 1921 he was made director of the company. In April 1932 Crozier replaced ET Scott as editor.

At the Guardian Crozier built up a team of foreign writers while he was a deputy editor, but under his editorial position the foreign department of the newspaper grew in reputation. This was increasingly important as conflicts in Europe were slowly building to the second world war. He often wrote articles himself with a powerful and concise style.

Crozier was known for appearing cold and sceptical, but was extremely passionate about liberal politics. He reflected his views within the Guardian, promoting the League of Nations and attacking Hitler's anti-semitic policies before it was popular to do so.

Towards the end of his twelve years in the editors chair, Crozier began to have persistent heart problems. He was advised to rest but did not. He wrote his last leading article on the 14th April 1944.
Creator: Crozier, William Percival (1879-1944); newspaper editor

Documents that relate to Mary Crozier. They include a photograph, correspondence with Guardian staff, details of her employment at the Guardian and other media work, and recollections written by Crozier in 2002.

Original artwork of Guardian political cartoons.

Administrative/Biographical history: A self taught artist and a political cartoonist, Rowson's career started when he contributed cartoons whilst at Cambridge (1978-82) to 'Broadsheet'. He has drawn cartoons for the New Statesman (1982-3), Financial Weekly, Sunday Today, Today, Sunday Correspondant, Independent on Sunday, Independent Magazine , The Guardian, Time Out, Dublin Sunday Tribune, Daily Mirror, the Observer, Tribune, Daily Express, Scotsman, and the Times Educational Supplement.

Publications include: Scenes from the Lives of the Great Socialists, 1983 (with Kevin Killane); Lower than Vermin: an anatomy of Thatcher’s Britain, 1986; The Waste Land, 1990; (with Anna Clarke) The Nodland Express, 1994; (with Chris Scarre) Imperial Exits, 1995; (with Will Self) Sweet Smell of Psychosis, 1996; The Life and Opinions of Tristram Shandy, Gentleman, 1996; (with John Sweeney) Purple Homicide, 1997; Mugshots, 2005; Snatches, 2006.