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A collection of original political cartoons and cartoon strips (featuring Papas' alter-ego, Theodore the mouse), letters, sketches and newspaper cuttings, including five drawings on the six day war and a notebook containing sketches and other material. There is also some production material (brass plates and glass plate negatives).

Administrative/Biographical history: William (Bill) Elias Papas first moved to England in 1946, studying at Beckenham Art School, Bromley, before travelling around Europe. He returned to South Africa in 1949, where his first cartoon was published by the Cape Times. He also freelanced for the Johannesburg Star, Drum, and other publications. On returning to England in 1959, he joined the Manchester Guardian, and produced his first political cartoon for the paper. He was runner up in the Kate Greenaway Medal awards for childrens book illustration in 1967. After leaving the Guardian in 1970, he moved to the US in 1984. He married Aroon McConnell in 1954. They had three children, but the marriage was dissolved in 1968. He then married Tessa Pares in 1970.
Creator: Papas, William Elias (1927-2000) cartoonist

The collection holds a near complete set of portrait and photo-journalistic work produced by Jane Bown between 1947-2008. It also contains personal papers, work books, correspondence, diaries and artefacts relating to all aspects of Bown's photographic practice.

Administrative/Biographical history: Jane Bown was born in Dorset and educated at William Gibbs School, Faversham. She became a chart corrector for the WRNS, (1944-46) before studying photography at Guildford School of Art, Surrey from 1946-50. She joined the Observer in January 1949 and her first published work for the paper (a portrait of Bertrand Russell) was printed the same month. From 1964 to 1967 she worked in colour for the newly launched Observer Colour Magazine but disliked it and returned to working predominantly in black and white. Her extensive photojournalism output includes series on gypsies, Greenham Common evictions, and in 2002, the Glastonbury Festival. Her sitters include Queen Elizabeth II, Jean Cocteau, Samuel Beckett, Woody Allen, John Betjeman, Jayne Mansfield and the Beatles. Exhibitions include 'The Gentle Eye', National Portrait Gallery, London (1980-1); 'Rock: 1963-2003', The Newsroom, London (2003), 'Unknown Bown', The Newsroom (2007). Group shows include 'How We Are - Photographing Britain, Tate Britain, London, (2007). Publications include 'The Gentle Eye' (1980), 'Women of Consequence' (1986), 'Men of Consequence' (1987), 'The Singular Cat' (1988), 'Pillars of the Church' (1991), 'Faces: The Creative process Behind Great Portraits (2000), 'Rock: 1963-2003' (2003) and 'Unknown Bown' (2007). Jane died at home in Hampshire in 2014.

Records of the Observer newspaper, mainly dating from 1920s onwards. Includes: board minutes and papers; correspondence and subject files of managing directors; financial papers; staff files; correspondence and papers of Observer editors David Astor and Donald Trelford; picture desk prints and negatives; printing, circulation and distribution statements and television adverts.

Few documents relating to the Observer's early years are known to have survived and the majority of those that have survived remain within private collections. For example, the archive of JL Garvin (editor of the Observer 1908 - 1942) is held by the Harry Ransom Humanities Research Center at the University of Texas.

Administrative/Biographical history: As befits the oldest Sunday newspaper in the world, the history of the Observer is a volatile and varied one. The paper was founded in 1791 by WS Bourne on the simple premise that "the establishment of a Sunday newspaper would obtain him a rapid fortune"; within three years Bourne found himself £1,600 in debt. Though early editions of advertisements for the paper promised a paper "Unbiased by Prejudice - Uninfluenced by Party...Whose Principal is Independence", Bourne attempted to cut his losses and sell the title to the government. They declined.

In its first century, the Observer was in varying degrees a scurrilous gossip sheet, government propaganda rag and provocative thorn-in-the-side of the establishment. Throughout the nineteenth century, however, the paper's character changed and came to reflect the more sober morality of the age.

In 1820 proprietor William Innell Clement defied a government ban on reporting proceedings against the Cato Street conspirators, refused to appear in court and left a £500 fine unpaid. This victory for the freedom of the press became characteristic of the paper in future years, and was typical of the Observer as it developed a reputation for serious coverage of politics and literature.

Some glamour was restored to the title by Frederick Beer, who installed his wife Rachel (Siegfried Sassoon's aunt) as editor in 1891. Under her control the paper achieved one of its greatest exclusives: the admission by Count Esterhazy that he had forged the letters that condemned innocent Jewish officer Captain Dreyfus to Devil's Island. The story provoked an international outcry and led to the release and pardon of Dreyfus and court martial of Esterhazy. She was a remarkable woman - not content with running one national newspaper, she managed to combine editing the Observer with the same job at the Sunday Times.

When the Observer entered the twentieth century, the paper was owned for a brief time by Lord Northcliffe, who appointed JL Garvin to the editorship. Garvin was a maverick Tory who contrived to edit the paper almost exclusively via a special telephone line installed between the newspaper office and his luxurious house in Beaconsfield.

It was not until 1948 that the paper became genuinely free from political allegiance, when David Astor was made proprietor and editor. Astor turned the paper into a trust-owned non-party publication and helped to establish its reputation as the voice of post-war liberal Britain. During this period many famous writers were on the staff, including George Orwell, Conor Cruise O'Brien, and more infamously Kim Philby.

Between 1977 and 1993 the paper was owned by two large international companies, first Atlantic Richfield and then 'Tiny' Rowland's company Lonrho. A controversial period in the paper's history reached its climax with the bitter battle between Rowland and Mohamed Al Fayed for control of the department store Harrods. When the Department of Trade and Industry published a damning report into the conduct of Mr Fayed, editor Donald Trelford took the momentous decision to print a midweek edition of the paper.

The birth of the Independent and subsequently its sister title The Independent on Sunday increased the pressure on the Observer in what was an already crowded Sunday broadsheet market, and when it became clear that the paper was for sale a merger between the two Sunday titles was mooted. Faced with the acquisition of a natural ally by a major competitor, the Guardian Media Group acquired the Observer in 1993. As a result the Observer has been able to maintain its editorial independence, ensuring the continuation of the paper's long-standing tradition of liberal politics and independent journalism.

The Observer has continued its reputation for setting, rather than following the news agenda, breaking stories including exposing the cash-for-access scandal dubbed Lobbygate, and leading the way in covering of issues like GM foods and cloning.
Roger Alton, editor 1998-2007, defined the paper's stance in the context of a long and varied history: "The Observer is Britain's oldest Sunday newspaper and it has been making mischief, poking its nose where it shouldn't and reporting the best in arts, culture, politics, sport, business and skulduggery for over two hundred years. We aim to keep it that way and maintain its position as Britain's most exciting Sunday newspaper."

On 8 January 2006 The Observer relaunched in a Berliner format becoming the UK's only full colour Sunday newspaper, and in 2007 The Observer was named national newspaper of the year at the British Press Awards.

In January 2008 John Mulholland was appointed editor of the Observer, replacing Roger Alton who had edited the paper since 1998. At the end of 2008 The Observer moved from its home in Herbal Hill, Farringdon, to new offices shared with the Guardian in King's Cross.
Creator: Publishers of The Observer Limited, fl.1907-1910
Creator: The Observer Limited, 1917-1993
Creator: Guardian News & Media Limited, 1967-

Contains records relating to the administrative running and establishment of the company, legal agreements with UK television companies, proposals for potential productions and publicity and research material relating to individual productions. Also includes copies of broadcast productions of the Observer Film Company.

Administrative/Biographical history: The Observer Film Company was established in October 1988, primarily as a result of negotiations between television producer Kimi Zabihyan, freelance journalist Andrew Drummond and The Observer's then-editor Donald Trelford for the establishment of an independent factual film production company with financial backing from the Observer.
The first documentary to be produced by the company, 'Lord of the Golden Triangle', an expose on the Burmese drug baron Khun Sa, was broadcast on ITV on the 12th July 1989. This was co-produced between Drummond and Zabihyan, who had previously been a producer at Picture Partnership Productions. Zabihyan produced most of the company's productions.
The company continued to produce programmes for all the major UK television companies, including the BBC, Channel 4 and ITV, until 1995. Over 30 productions were made in the first four years of the company's existence, covering UK domestic issues and many of the main issues of interest in international journalism from the time. These included various productions on the sectarian violence in Northern Ireland, investigations in China and El Salvador, various productions on the Soviet Union (including an interview with Andrei Gromyko, conducted just a few months before his death), gang culture in the ghettos of Kingston, Jamaica and an investigation into the testing of chemical and biological weapons by the MoD on unsuspecting British soldiers.
The company became part of Guardian Newspapers Ltd when the Observer was acquired by Guardian Media Group in 1993, continuing to operate under the same name. The Observer Film Company was wound-up in December 1995.

This collection of records of the Guardian newspaper date mainly from the late 1960s onwards. The early records of the Manchester Guardian are primarily held by the John Rylands University Library, University of Manchester.

The bulk of this collection contains records of Guardian News & Media (GNM), the national newspaper division of Guardian Media Group. Established in 1967 as Guardian Newspapers Ltd (GNL), the company purchased the Observer newspaper in 1993 and launched Guardian Unlimited network of websites in 1999 (guardian.co.uk). The company was renamed Guardian News & Media on 16 October 2006. Therefore, while this collection mainly relates to the Guardian newspaper it also includes records of The Observer and guardian.co.uk, where they relate to more than one of the individual newspapers. For example, records relating to GNM marketing activities that relate to the Guardian and The Observer would be found within Guardian marketing records, GUA/9, whereas records relating to purely the Observer would be found with the Observer archive collections (Ref no: OBS).

Prior to the formation of Guardian Newspapers Ltd in 1967 the Guardian editor reported directly into Guardian and Manchester Evening News plc which is now known as Guardian Media Group (GMG). These records can be found within the separate Guardian Media Group collection (Ref no: GMG). Where held, records of The Scott Trust and Guardian Media Group are catalogued separately, see SCT and GMG.

Individual members of staff's papers are often catalogued independently from this corporate record collection.

Administrative/Biographical history: The Manchester Guardian was founded by John Edward Taylor in 1821, and was first published on 5 May of that year. The paper's intention was the promotion of the liberal interest in the aftermath of the Peterloo Massacre and the growing campaign to repeal the Corn Laws that flourished in Manchester during this period.

The Guardian was published weekly until 1836 when it was published on Wednesday and Saturday becoming a daily in 1855, when the abolition of Stamp Duty on newspapers permitted a subsequent reduction in cover price (to 2d) allowed the paper to be published daily.

The Guardian achieved national and international recognition under the editorship of CP Scott, who held the post for 57 years from 1872. Scott bought the paper in 1907 following the death of Taylor's son, and pledged that the principles laid down in the founder's will would be upheld by retaining the independence of the newspaper. CP Scott outlined those principals in a much- quoted article written to celebrate the centenary of the paper: 'Comment is free, but facts are sacred... The voice of opponents no less than that of friends has a right to be heard.' After retiring from an active role in managing and editing the paper, Scott passed control to his two sons, John Russell Scott as manager and Edward Taylor Scott as editor. Realising that the future independence of the paper would be jeopardised in the event of the death of one or the other, the two sons made an agreement that in the event of either's death, one would buy the other's share. CP Scott died in 1932 and was followed only four months later by Edward, so sole ownership fell to JR Scott. Faced with the potential of crippling death duties and the predatory interest of competitors, Scott contemplated a radical move to ensure the future of both the Guardian and the highly profitable Manchester Evening News. He concluded that the only answer was to give away his inheritance, a far-reaching solution which provoked close advisor (and future Lord Chancellor) Gavin Simonds to conclude: 'you are trying to do something which is very repugnant to the law of England. You are trying to divest yourself of a property right'. In June 1936, JR Scott formally passed ownership of the paper to the trustees of the Scott Trust. As well as pledging to ensure the radical editorial tradition of the paper (that the newspaper 'shall be conducted in the future on the same lines and in the same spirit as heretofore', in the words of the founder's legacy), the Scott Trust also has the duty to maintain a secure financial footing for the business: '...to devote the whole of the surplus profits of the Company which would otherwise have been available for dividends...towards building up the reserves of the Company and increasing the circulation of and expanding and improving the newspapers.' These principles remain the only instructions given to an incoming editor of the Guardian.

As the influence of the Manchester Guardian grew beyond its Northern hinterland, a new challenge faced the paper under the editorship of AP Wadsworth, who took over the post in 1944. The limited number of pages in the paper, poor quality of the printing and sometimes peculiar news agenda were once perceived as part of the regional charm of the paper. In comparison to the other papers on Fleet Street, however, the Guardian's eccentric virtues often seemed to be outweighed by its peculiar idiosyncrasies: the absence of horse racing, high-handed moral posturing and woolly leaders. Alongside the Daily Telegraph and the Times, the Guardian lacked resources (despite costing 1d more a day), and an approach to commercial activity that could be charitably described as naive did not help matters. On the first day of the Chatterley trial, the Guardian carried a front page advertisement for the Telegraph 'the paper you can trust', which 'provides all you can want in a newspaper' - and at a cheaper cover price too. The editor of the paper moved to London in 1964, committing the Guardian to an uncertain future in the national market, and shortly afterwards financial problems came to a head. The paper relied heavily on the Manchester Evening News for financial support, and in the mid-60s the threat to the paper's future grew severe enough for the chairman of the Scott Trust, Laurance Scott, to approach the Times to discuss the possibility of a merger. The Times was in a similarly perilous financial situation, and many were of the opinion that there was only room for one competitor to the Telegraph. Eventually the talks came to nothing, but not before a serious examination of the logistics involved had been considered on both sides. Alastair Hetherington, the editor at this time, remained a staunch advocate of the Guardian's independence, and the modern paper owes much to his leadership and vision during this period. Investment in printing and the completion of a move to improved offices in Farringdon in London in 1976 helped consolidate the Guardian's position, aided by an expansion programme that included the revamping of the Guardian Weekly to include content from both the Washington Post and Le Monde.

In the increasingly polarised political climate of the late 1970s and early 1980s the Guardian's position as the voice of the left was unchallenged. The opinion pages were the birthplace of the SDP, and the letters page was where the battle for the future direction of the Labour Party was played out, while the coverage of industrial disputes including the 1984-1985 Miners' Strike defined the paper's position. The status quo among the quality press was irrevocably altered by the launch of the Independent in 1986. Capturing the centre ground between the Guardian on the left and the Times and Telegraph on the right, the Independent attracted big name writers and readers with a modern design and distribution network that made the most of the post-union market. Within a few years the circulation of the Independent rose to within touching distance of both the Times and the Guardian, and the previously stagnant market was provoked into a frenzy of defensive activity to retain readers. In 1988 the Guardian made a bold and innovative attempt to reassert its position on Fleet Street, with a major redesign that began the modern period of success in the history of the paper.

In 1993 the intensely competitive broadsheet market was again thrown into confusion by the reduction of the cover price of the Times, firstly from 45p to 30p, then again in June 1994 from 30p to 20p. As the Times attracted readers, first the Daily Telegraph and then the Independent followed suit, running at substantial losses as they battled to survive. Throughout this period the Guardian remained at full price, investing resources in journalism and distancing itself from the price war through distinctive and innovative marketing, product development and consistently breaking big stories. During these years the paper increased its circulation, remained commercially successful and achieved critical acclaim for both the quality of its journalism and the innovation, both consistently followed by its competitors. The Guardian was at the forefront of the sleaze revelations that contributed to the downfall of the Conservative government in 1997, with a series of investigations into the affairs of Tory MPs, including Jonathan Aitken and Neil Hamilton. Begun under the editorship of Peter Preston and continued when Alan Rusbridger was appointed in 1995, the unmasking of the 'cash for questions' affair and corruption in parliament confirmed the paper's reputation for serious investigative reporting. This reputation was cemented by the collapse of the libel case brought against the paper by former Minister Jonathan Aitken. Following his fateful declaration to fight the case armed with only "the simple sword of truth and the trusty shield of British fair play", the Guardian uncovered crucial evidence that proved Aitken did not pay his own hotel bill at the Paris Ritz as he had claimed. Aitken was convicted of perjury and jailed in June 1999, and the investigations won the Guardian critical acclaim from all sides - including the prestigious Newspaper of the Year Award in both 1997 and 1998.

In 1997 the Guardian became the first national newspaper to appoint a readers' editor, producer of the daily Corrections and Clarifications column. The Guardian Unlimited network of websites was launched in January 1999 and by March 2001 the site had over 2.4 million unique users, making it the most popular UK newspaper website. The website was renamed guardian.co.uk in 2008.

On September 12 2005 the new Berliner Guardian launched, with a ground-breaking design in a mid-size format. The Guardian became the UK's first full-colour national newspaper, and the first UK national newspaper ever to adopt this size. The new format paper won the best designed national newspaper in Europe at the European Newspaper Awards in 2005 and the award for the world's best- designed newspaper from the Society of News Design in 2006.

At the end of 2008 the Guardian moved from Farringdon to a new building in King's Cross.
Creator: The Guardian (1821-)
Creator: Guardian Newspapers Ltd (1967-2006)
Creator: Guardian News & Media Ltd (2006-)

Notes, articles, cuttings and related papers of Richard Fry.

Papers relating to his work as the Guardian's financial editor, 1939-1965 concern Fry's first visit to USA in 1947 and the Manchester Guardian Survey of Industry, Trade and Finance, 1946-c1958 instigated by Fry in 1946.

Papers relating to his freelance work include articles for the Guardian, The Times, National Provident Bank Review and The Banker; speeches and lectures by Fry; and independent visits to USA in 1977 and 1979.

Administrative/Biographical history: Richard Fry (née Freund) was born in Berlin on 23 September 1900. He studied at Heidelberg and Berlin Universities where his economic professor, Walter Sowbart, encouraged him to take up journalism. Fry worked as a foreign political correspondent in Rome for a German publishing group, 1924-1925 before moving to London the following year, where he married Katherine Maritz two weeks before the Great Crash of 1929. On the day that Hitler came to power in 1933 Fry was dismissed by his German employers.

Fry was unemployed for much of the 1930s but in this time he wrote two highly prophetic books 'Zero Hour' and 'Watch Czechoslovakia' and formally took British nationality. 'Zero Hour' in particular was widely acclaimed and is thought to be a significant reason for Fry's inclusion on the 1940 Nazi blacklist.

Fry became financial editor of the Guardian in 1939, a temporary appointment intended to cover staff war service that was made permanent at the end of the second world war, and he stayed with the Guardian until his retirement in 1965. With the Guardian Fry visited the United States of America for the first time in 1947 and introduced the Manchester Guardian Annual Industrial Survey from 1946.

Fry was awarded the CBE in 1965 for services to journalism. He spent the first ten years of his retirement writing for The Banker and visiting world financial centres on a regular basis. He continued to write and give lectures up to his 90th year. Richard Fry died in 2002.
Creator: Fry, Richard Henry CBE (1900-2002); journalist

Records relating to the Guardian Media Group plc, owner of the Guardian and the Observer newspapers. The company was founded as Manchester Guardian and Evening News Limited (MGEN); and has also been known as Guardian and Manchester Evening News Limited (GMEN Ltd) and Guardian and Manchester Evening News plc (GMEN plc) before being renamed Guardian Media Group (GMG) in 1993.
Prior to the formation of Guardian Newspapers Ltd in 1967, the Guardian editor reported directly into Guardian and Manchester Evening News plc (and its predecessor names) and therefore records relating to the Guardian can be found here as well as in the main Guardian collection (GUA).

Administrative/Biographical history: Guardian Media Group (GMG) is a multimedia business. Its core business is Guardian News & Media (GNM), which publishes the Guardian and the Observer newspapers and the theguardian.com website. It also holds a diverse portfolio of investments to help support GNM's journalism. The Group has been wholly owned by the Scott Trust since 1936.

The company was established in 1924 as the Manchester Guardian and Evening News Ltd (MGEN Ltd) when CP Scott, the owner and editor of the Manchester Guardian, purchased the Manchester Evening News from Russel Allen. The company was renamed Guardian and Manchester Evening News Ltd (GMEN Ltd) in 1973; and it became a plc in 1982 (GMEN plc). In November 1993 it changed its names to Guardian Media Group plc (GMG).
Creator: Guardian Media Group plc, 1907-; newspaper proprietor
Creator: The Guardian, 1821-

The collection consists of notebooks, correspondence and files of cuttings, drafts articles and reports created and maintained throughout his long career from the late 1950s to 2010. The collection represents a large body of his work on Africa, Canada, South America, the UN, the Commonwealth, and press freedom. The titles given to notebooks and files are those originally given by Clyde Sanger, except where indicated by square brackets.

Names of countires, regions and territories in the catalogue descriptions have been taken from the original source material.

Administrative/Biographical history: Clyde Sanger (1928-2022) was a journalist and author who wrote prolifically over the last six decades on African and Canadian politics, the Commonwealth, international development, and the environment.

In his early career, Clyde was a reporter for the Staffordshire Evening Sentinel, London Evening News and Daily Mail. He moved to Africa in 1957 where he edited the political and economic magazine The Central African Examiner in Southern Rhodesia. He left the Examiner in 1959 to join the Guardian, where he became the paper's first Africa correspondent in 1960. Whilst working in Africa between 1957 and 1965 he reported on a range of social, economic and political news and befriended nationalist leaders including Joshua Nkomo, Kenneth Kaunda and Ndsbaningi Sithole.

Since moving to North America in 1965 Clyde worked as UN correspondent and Canada correspondent for the Guardian, Parliamentary reporter for the Globe and Mail and Canada correspondent for the Economist. He also served as a Governor of NewsConcern International Foundation, Director of Information for The Commonwealth Secretariat, Director of Communications for the North-South Institute, and Adjunct Professor of Journalism at Carleton University.

His books include: Central African Emergency (1960). The Kenya General Election of 1963 (1864), Half a Loaf: Canada's semi-role among developing countries (1969), Stitches in Time: the Commonwealth in world politics (1983) and Malcolm MacDonald: bringing an end to empire (1995).

Administrative/Biographical history: Tom Stuttard joined the Manchester Guardian & Evening News in 1925 and worked for both papers until 1948 when he began working exclusively for the Guardian. He worked for the paper for 46 years (1925-1971), for most of that time as chief photographer. He worked under seven editors in total including CP Scott whom he photographed in the 1920s. He also took an iconic photograph of Neville Chamberlain post Munich. He retired from the Guardian on 14 August 1971.

Collection comprising of a chronological 35mm negative sequence which represents the full timespan for which Johns worked as staff photographer for The Guardian in London (1965-80), plus some more recent pictures taken in his retirement. There is also a smaller sequence of vintage subject prints printed by Johns.

Administrative/Biographical history: Born in Swansea, Peter Johns trained as an art teacher and illustrator at the city's art college. He started work in the 1950s as illustrator, and later photographer, for the South Wales Evening Post and Herald of Wales before a series on Welsh miners shot on a Rolleiflex camera caught the attention of both The Observer and The Guardian newspapers. He relocated to London as a full-time freelance photographer in 1961 and became a staff photographer for the Guardian in October 1965. He retired from the Guardian in 1981.

His body of work executed whilst working for The Guardian reveals a rich seam of photojournalism - an output which includes series on the Aberfan disaster, National Front marches and dock strikes, as well as various portraits including Anthony Quinn, Sam Wanamaker, Tennesse Williams, Anita Harris and a rare glimpse of Henri Cartier-Bresson. More recent series include documented scenes in Whistable, Hastings Old Town and Portugal, some of which, for the first time in Johns career, are shot in colour.